Green raku vase -
Here it is sitting on the kiln shelf, cooling down a little bit before I pick it up with tongs and place it in a container full of old newspaper for a post-firing reduction atmosphere, mostly to help darken the crackles that occur in this glaze.
A lidded jar with a white crackle glaze. The black/gray part is bare clay that's been impregnated with carbon from the smoke in the reduction chamber. The slight bit of color around the base and top of the knob comes from a copper glaze/patina mixture.
Here's the jar in the earlier wet clay stage -
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